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Silo City – My Thoughts Behind The Shot

Silo City, Grain Distribution, Buffalo, NY
Silo City, Grain Distribution, Buffalo, NY

 

My friend Seth Resnick has been posting images for the last month or so and instead of just saying what it is he shares the story behind it. I think this is a great idea and so from here on my images posted here will be a bit wordy with the story behind the photo. What I was thinking, why I saw the image this way and what I did in post processing to make the image what I wanted it to be.

I love abandoned places and rusty things and for many years I visited Silo City in Buffalo, New York to find a place that had both. My adventures here made me thrilled. My friend Mark Maio would arrange a yearly weekend shoot at this location. Silo City was a network of giant grain silos that were an important stepping stone in the last century to move grain harvests from the west to places on the east.

As photographers, they granted us access to the entire complex. There we lots of stairs, conveyors, pipes and machines throughout the complex. It was a dangerous place, to say the least. Silo City, for the most part, has now been sold off and under commercial development. I consider myself fortunate to have visited this location as many times as I had.

Photographing abandoned things, places, cars and houses is a passion of mine. These places tell stories and it is part of my personal mission to tell those stories with my photography. I also like to try different things with my images and in a lot of cases as with this image use symmetry as part of the composition.

There were a lot of things happening in this picture and I wanted the viewer to explore the angles and dangles as well as try to understand what they were looking at. I used the receding lines of the columns and the “V” shape at the top of the columns to drive the viewers’ eye through the image. As you explore the image you see many diagonal that transport the eye through the photo as well. And, I loved the dangling light bulb.

Many photographers may have contemplated this shot for a while. For me I am a fast contemplator. I moved around as well as up and down until I saw the scene balance itself out. I was already thinking as I shot the photo how I would post process it. It needed to be monochrome. In the end I added a slight tint of sepia to it to accent the abandoned feel to it.

In post processing, I also increased to contrast and stricture a bit to bring out the textures in the concrete and the rust in the metal conveyors.

I’ll share more from Silo City soon. I also did a shoot where I used a model to interact with the machines there. As far as the technical, this was shot with a Nikon D800 and a 24-70mm zoom at f/16 to keep depth of field.

I have sold numerous prints of this image and it looks beautiful as a print and the print allows to viewer to explore all the little nuances in the image.

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Moonrise Over Antarctica

On a trip to Antarctica a few years ago we were sailing in a channel between two large mountains photographing feeding humpback whales.  It was a wonderful evening with photo opportunities of the starboard and port bows.  I was at the stern of the ship and heard a lot of shouts coming from the bow.  Something must be happening.  A few seconds later, as we moved forward, we got the glimpse of the moon rising next to this mountain.  The sky was pink, magenta and the snow had a special color to it.  It was a great look, and I got great shots.  You know it’s good when the captain of the ship comes out and turns the ship in a circle so he can take a picture with his point and shoot.

A month ago from this post I revisited my images.  I loved this shot and decided I needed to see it in BW.  Thus, I worked on the BW conversion.  This is what I got.  I tuned it for dark sky’s and subtle grays.  It kind of reminds me of an Ansel Adams photo.

Hope you like it.

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Escalator Fun

escalator

While at the Harpa Opera House in Reykjavik, Iceland my friend Steve Gosling and I spent some time shooting various things.  In a previous post, I shared my building abstracts.  Today I share some images from a spot I found and I photographed people on or near the escalator in the Opera House.  I shot these with the Sony RX100 vii and converted them to BW images. They were RAW files and I made adjustments to them in Capture One.  These will never be considered art but more on the level of street photography where I document what I see in what is going on around me.  They are different and I do like the one with the person going up the escalator.


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Crop Dusting In The Palouse

Crop Dusting In The Palouse

One of the cool things about the Palouse is you just don’t know what you will find around the next corner.  One day while shooting on our workshop we turned a bend in the road and we saw this crop duster do amazing low flights over fields of wheat.  So, naturally we stopped and took photos.  This is one of them.

If you are interested in photographing the Palouse, let me know as an opening just became available on our June Workshop.

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Industrial Symmetry

Light bulb innate the bottom of silos in Silo City. Buffalo, NY

I love shooting rust and industrial landscapes.  It breaks up the routine of shooting nature and allows me a set of fresh eyes on different types of subjects.  This image and tomorrows image was made in Silo City in Buffalo.  This one location has provided me with an extraordinary amount of photographic opportunities. What I try to do in situations like this is to find symmetry and balance in the industrial components and then play with the light to take the image even further.  I decided that black and white worked best for these.

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The Tower Bridge

As a photographer, one of the most frustrating things, especially in the social media times we are in is coming up with an image of an iconic place that hasn’t been done before.  This challenge is also a good one for our everyday photography endeavors.  On a trip to London, I spent a day walking the city.  This is one of the images that I made to show an iconic location differently.  I looked up and thought it would compose well as a square and then used the square format to compose the image.

In post-processing, I converted the image to BW and then added the frame using Topaz Studio.

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The Water Plant

Sepia Toned

In Buffalo, NY there is a cool old turn of the 20th-century water plant.  It’s ana amazing structure and a privilege to shoot inside it.  I have been there many time and find all sorts of things to shoot as well as interesting compositions.  This image was made with my iPhone using an app that does double exposures. Lots of fun to shoot this way.  Sometimes it works and sometimes not.  That is also the fun.  This one I like a lot.  I made a sepia tone image and a regular one. Which one do you like best?

Non-toned image